Dr. Wendy Waszut-Barrett, founder and owner of Historic Stage Services LLC in Minneapolis, will spend a week in January at the Theatre Museum of Repertoire Americana in Mt. Pleasant, Iowa, where she will lead a group of volunteers in cataloging backdrops in the museum’s collection. The program will take place Monday, January 8-Friday, January 12, 2024, at the Theatre Museum on the Old Threshers grounds, and will culminate in a presentation to invited guests at 7 pm Friday evening. In addition, Dr. Waszut-Barrett will be available to meet with members of the press at noon each day. She is being hosted by the National Society for the Preservation of Tent, Folk and Repertoire Theatre.
The museum has an extensive collection of theatrical backdrops painted in the late 1800s and early 1900s, one of the largest such collections in existence in one place. According to Waszut-Barrett, the museum’s backdrops and flats are representative not only of the tent show and opera house experience but of a “shared aesthetic experience . . . a unifying element of American society” across the country prior to World War I, and as such, they deserve not only to be stabilized but to be shared and to have their significance explained to a larger public whose interests overlap or coincide with those of the National Society for the Preservation of Tent, Folk and Repertoire Theatre: theatre and the arts, popular culture, community history including places and events where people gathered, and regional labor economics. During the 1920s, hundreds of companies employed thousands of actors to play to millions of viewers—more, combined, in each case than at the playhouses of America’s largest cities. Iowan Jesse Cox, whose worktable and samples of his work creating backdrops are on display in the Theatre Museum’s exhibit hall, went from playing accordion and bit parts in traveling companies to creating a paint and painting technique that led to the creation of a studio that produced thousands of theatrical backdrops that were sold across the country.
In the late nineteenth and early twentieth century, most communities, regardless of size, had an opera house for public events and entertainment, including performances by professional artists. During the summer months, many theatrical companies played under canvas because of the summer heat. In either context, they made use of canvas, and sometimes muslin, backdrops.
Waszut-Barrett is an expert in both the provenance and preservation of such artifacts. To read more, visit Drypigment.net: https://drypigment.net/.
For more information about the Theatre Museum or about the January program, including to volunteer or to arrange an interview with Dr. Waszut-Barrett, contact Dr. Monie Hayes at moniehayes@hotmail.com, or the Theatre Museum at theatremuseum@yahoo.net / 319-385-9432. The museum is located at 405 E. Thresher Rd., Mt. Pleasant, Iowa. [Below, one of the approximately century-old backdrops in the Theatre Museum.]
ds. Following her position as sexton, she worked several different part-time jobs. Jean completed her working career as a cook for the Van Vorhies Haus in Mt. Pleasant, where she truly enjoyed cooking for the residents.